


Trailblazing South African musician Moonchild Sanelly has always, since the very beginning,
                determinedly done things her own way. An artistic visionary, her drive to succeed is fuelled by
                an innate creativity, unique self-expression and extraordinary confidence, all underpinned by
                personal pain, trauma and a deep conviction and commitment to standing up for what she
                believes in.
                
                 Growing up in Port Elizabeth, Moonchild’s (born Sanelisiwe Twisha) music-filled childhood was
                one of creative exploration: whether it was self-choreographing dance routines to Spice Girls
                tracks, teaching herself to play the piano, singing at church with her family or writing poetry,
                artistic expression was always encouraged.
                Growing up in Port Elizabeth, Moonchild’s (born Sanelisiwe Twisha) music-filled childhood was
                one of creative exploration: whether it was self-choreographing dance routines to Spice Girls
                tracks, teaching herself to play the piano, singing at church with her family or writing poetry,
                artistic expression was always encouraged.
A move to Durban in 2005 to study fashion saw Sanelly become immersed in the local music
                scene, and later in Johannesburg, she would write for reggae bands and freestyle against other
                rappers, often overcoming misogynistic attitudes in the process. “In my writing, I would pay
                homage to my hard times and the many years that I struggled, because it has shaped me,”
                she says. She soon established her own signature sound: self-described as ‘future-ghetto-funk’,
                which would catapult Moonchild Sanelly to fame as South Africa’s most unique performer.
                
                With her electrifying live show and self-designed flamboyant outfits she became a superstar on her
                home turf. With an eye on audiences outside of South Africa, a commercialised approach to
                unapologetically spreading her message - one of female sexual empowerment - “liberation for
                women, in the bedroom, in the boardroom, knowing your power... I needed to be heard by a lot
                of people” - soon found a global audience which saw her invited to perform at festivals such
                as SXSW, Primavera, Glastonbury and Boardmasters.
                
                A rarity as an uncompromising alternative artist who has found success in a commercial space,
                Moonchild Sanelly is a true fighter and unparalleled force of nature. “I fought everything for me to
                exist as myself and to win as myself,” she says, putting her ambition down to her mum’s passing
                when she was a teenager. “I was constantly reminded about my magic and my power... that
                nothing is impossible.”
                
                 Her award-winning first studio album Rabulpha! in 2015 signalled her arrival as an artist to
                watch and saw her collaborate with local favourites Maphorisa, Sho Madjozi and Thandiswa
                Mazwai. In the years that followed, she caught the attention of a host of international superstars,
                leading to high-profile collaborations with artists including Wizkid and Beyonce (featuring on ‘...
                MY POWER’, as part of ‘The Lion King: The Gift’ soundtrack, in 2019) and Gorillaz (on ‘With
                Love To An Ex’, in 2020).
                Her award-winning first studio album Rabulpha! in 2015 signalled her arrival as an artist to
                watch and saw her collaborate with local favourites Maphorisa, Sho Madjozi and Thandiswa
                Mazwai. In the years that followed, she caught the attention of a host of international superstars,
                leading to high-profile collaborations with artists including Wizkid and Beyonce (featuring on ‘...
                MY POWER’, as part of ‘The Lion King: The Gift’ soundtrack, in 2019) and Gorillaz (on ‘With
                Love To An Ex’, in 2020).
                
                Then, following her statement-making debut and a stream of South African hits, she signed to
                Transgressive records in 2020, kicking off with diverse mini-LP ‘Nüdes’. Her genre-crossing
                second studio album Phases was released in 2022, a highly collaborative record, with
                production and guest features from Sad Night Dynamite (on the hit track 'Demon') and Ghetts
                (‘Strip Club’), as well as Wesley Joseph, Xavier Thomas (Débruit), TOKiMONSTA, HOLLY and
                Aramboa.
                
                And now Moonchild Sanelly is back with Scrambled Eggs, the first single to be taken from
                Moonchild’s forthcoming new studio album, which will be announced later this year.